![]() This is very good news for FCP X editors in particular. One welcomed addition is an overall white balance control with a color picker to select what you determine as white in the image. This lets you make a more extreme correction and then tone it down for the final look. Most of the Magic Bullet products include a strength slider, while enables you to dial back on the amount of the color treatment. There’s also a new vignette slider, so you can quickly dial in the size and darkness of an edge vignette. Adjusting the shadows slider acts like you are adding or removing fill light from an image. Typically these work best when you want an s-curve correction.Ī big addition to Colorista III are Lightroom-style shadow and highlight controls. ![]() Although it includes curves, these are not true multi-point curves, as you are limited to five control points along the line. This results in better granularity to the adjustment, but might require a bit of time for new users to get accustomed to the feel. The response of the wheels is weighted, so that you move the mouse farther in relationship to the puck’s travel on-screen. With FCP X, the developers were able to integrate the color grading wheels into the inspector pane, but in a vertical configuration. Apple added shape masks to all effects with the introduction of FCP X 10.2. Adobe added bezier masks with built-in tracking to all effects, so if you are using Colorista III in Premiere Pro CC, you now have a better masking capability than in the past. The power mask is gone, because the developers decided to rely on the new built-in masking that’s part of Premiere Pro CC and Final Cut Pro X. With Colorista III, Red Giant decided to simplify the plug-in by including one level of primary grading, curves, a keyer, and HSL secondary adjustments. It had master, primary, and secondary grading, plus curves, a power mask, and keyer. The earlier version of Colorista was a feature-packed plug-in that functioned like a mini-grading application. This is likely an issue with FCP X’s color pipeline when an external program is involved. When I imported LUTs into Looks with FCP X, the result was a lot more extreme than in the Adobe applications. ![]() ![]() It’s pretty solid in the Adobe applications, but color management with FCP X is quirky. Importing LUTs into Looks doesn’t seem to work perfectly. The latter adds a very intuitive luma range graph to easily change the crossover points between lo/mid and mid/hi. New tool modules have been added, such as a LUT tool and a 4-way color corrector. The 3.1 update added a Trackpad Mode, enabling you to use a laptop or standalone trackpad like a control surface. Red Giant has created many new preset looks based on popular film and TV show treatments. In addition, this will also preview the various tool modules used to create the look. In 3.0 and 3.1, you can now hover the mouse over the various preset looks and the larger Looks viewer will be updated to preview that look on your frame. The frame that you are parked on becomes the reference frame to which you apply your looks. As before, it runs as a separate application that opens whenever you launch the interface from the clip on the timeline. The interface design has been flattened and streamlined. It includes tool modules for color correction, lens effects, relighting, and a lot more. Magic Bullet Looks is a popular go-to plug-in for sophisticated stylization of an image. If you already installed version 12.0, you’ll need to download and reinstall 12.1 in order to add the plug-ins into new hosts, like Resolve 12. Depending on your toolkit, you might opt for one or two of the individual plug-ins rather than the entire suite. Avid Media Composer is only compatible with Looks and Resolve gets Mojo, Film, Looks, and Cosmo. For example, everything installs into Adobe Premiere Pro CC and After Effects CC, but Final Cut Pro X only gets Colorista, Looks, Cosmo, Film, and Mojo. However, check the compatibility list for your particular NLE. A single installation of the suite will install the plug-ins into as many application hosts as you have on your system. The new update adds OpenFX compatibility.Īlong with feature and interface changes, Red Giant has also focused on performance improvements across the board, as well as bringing more of the tools into new hosts like Apple Final Cut Pro X. The suite now includes Magic Bullet Looks 3.0, Magic Bullet Colorista III, Magic Bullet Film 1.0, Magic Bullet Mojo 2.0, Magic Bullet Cosmo 2.0, Denoiser II, and LUT Buddy. Popular tools have been streamlined along with the addition of a brand new film emulation tool. Red Giant released Magic Bullet Suite 12 in February.
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